Title:
DEAD MAN
Release year:
1996
Genre:
WESTERN
Director:
Jim Jarmousch
Screen writer:
Jim Jarmousch
Music & Soundtrack:
Neil Young
Actors:
William Blake- Johnny Depp
Nobody- Gary Farmer
Cole Wilson- Lance Henrikson
Conway Twill- Michael Wincott
Thell Russell- Mili Avital
Salvatore "Sally" Jenko - IGGY POP
Benmont Tench - JARRED HARRIS
Big George Drakoulious - BILLY BOB THORNTON
Train Fireman - CRISPIN GLOVER
Johnny "The Kid" Pickett - EUGENE BYRD
Nobody's Girlfriend - MICHELLE THRUSH
Charlie Dickenson - GABRIEL BYRNE
John Scofield - JOHN HURT
Trading Post Missionary - ALFRED MOLINA
John Dickenson - ROBERT MITCHUM
Marvin (Older Marshall) - JIMMIE RAY WEEKS
Lee (Younger Marshall) - MARK BRINGELSON
Man with Gun in Alley - GIBBY HAYNES
Man at End of Street - GEORGE DUCKWORTH
Man with Wrench - RICHARD BOESOld
Man with Wanted Posters - MIKE DAWSON
1st Man at Trading Post - JOHN PATTISON
2nd Man at Trading Post - TODD PFEIFFER
Makeh Village - LEONARD BOWECHOP, CECIL CHEEKA, MICHAEL McCARTY
First Young Nobody - THOMAS BETTLES
Second Young Nobody - DANIEL CHAS STAC
Drunk - PETER SCHRUM
Mr.Olafsen - JOHN NORTH
William Blake starts a journey to the western parts of America, to get a job as an accountant in Dickenson Metal works Factory in the town of Machine. But he is late for the job; he’s replaced by a smiling fat man. Penniless and wearied, he finds himself laying with Thell, Mr. Dickenson’s youngest son’s fiancée, who makes roses out of paper. Lain in bed they are caught by Dickenson’s son, who attempts to kill Blake, but shoots the gun right to Thell, yet the bullet passes from her chest and leaves Blake injured, too. Blake shoots Dickenson’s son right in his throat and flees away with one of Dickenson’s spirited and valuable horse… Now he is being pursued by three killers hired by Dickenson. He meets an odd Native American, named Noboby, who thinks he is the same dead English poet, William Blake. As his journey continues, Nobody convinces him that he should get back to the place where the dead belong, that here is no place for him, and… the film ends with Blake wrapped up in natives’ cloths, shipped on a canoe and pushed in to the water by Nobody who’s sending him back to the place where he belongs.
The film starts with Blake traveling on the train, restless to end his long journey from Cleveland over the town of Machine. Looking closer, one might understand that
his journey from Eastern parts of America to western parts of America and continuing again beyond the west is a journey toward Eternity.
The town of Machine, Being earlier foreshadowed by the ironic phrase of the man talking with Blake on the train as “the end of the line”, shortly saying, is West, with modernity being its specificity. In the town of Machine, Men are living as Savages, most of them are buffalo hunters, they streets are muddy, and over every doorway, there’s skull of buffalo and their skins are heaped over on the ground. Drunks, whores, and hunter all live there. While life is mechanized and man has turned back in to baser instincts: He kills animals, and the ruling government is even more corrupt as it says kill the million of the buffalos; he attempts assault and battery; he forgets his son and sticks to idle thing in life. And, Blake is a stranger to these ways. Blake, being starred by Johnny Depp, is an immaculate young man who is so meek that he thinks in a modern town, as town of machine is, one can insist on speaking to some one, later Nobody clearly says he has to speak through his weapon but not through soft and sweet words. From the moment he arrives to the town of Machine, death message is being associated to the mind, the coffin makers, the horse urinating on the ground, the man having sex in the middle of the street who shoots anyone coming close to him…the picture is gloomy and desperate. Looking through the film, Blake has always difficulty keeping his eyelids open wide, he looks as if he’s drowsy; as the journey continues his weakness becomes more and more vivid. In my opinion, by this Jarmousch has the aim to show that Blake’s a dead man from the first shot of the film.
The poet, William Blake, whom Nobody insist the dead man is, can help us in many ways to understand the film. He was a visionary poet, who believed we achieve redemption by liberating and intensifying the bodily senses- as he said, by “an improvement of sensual enjoyment”- and by attaining and sustaining that mode of vision that does not cancel the fallen world but transfigure it, by revealing the lineaments of its eternal imaginative form
[1].
Nobody asks Blake to do the same, to stay hungry… he also trades his eyeglasses to let him contemplate on his own with his spiritual sights, and not his corporeal eyes; to take a deep journey back into his soul and to know his spirit better; to become refined in soul and to preponderate the spiritual affair to the physical life.
William Blake, the actual English poet, shared with a number of contemporary German philosophers the point of view that
man's fall (or malaise of modern culture) is essentially a mode of psychic disintegration and resultant alienation from oneself, one's fellow-men, and that man's hope for recovery lies in process of reintegration[2]. May be this is the problem Jarmousch aims to portray in his film. All the citizens of Machine are disintegrated; they are aliens, since they have come from different places for a common purpose: for hunting, or for working… either the case, they seem to be careless of eachother. But there's some one who well understand his alienation, his nobodiness, this person is Nobody. He has been living overseas and living as a savage among the whites, he started to behave like them and still he was always looked down as a slave. When he got back home, he was not received warmly by his tribe, he explained them about the things he'd seen, and they didn't believe him, he said: "he who talks loud says nothing." Now, he is living alone in the forest, he is living the life of a hermit: he is disintegrated not only from his own men, but also from his own land. What he sees in Blake, wounded and pale, is the same reintegration with one's self that William Blake portrays through his poetry.
Blake believes there are three successively lower "states" of being in the fallen world, he calls Beullah (a pastoral condition of easy and relaxed innocence, without clash of contraries), Generation (the realm of common human experience, suffering, and conflicting contraries), and ulro ( Blake's hell, the lowest state, or limit, of bleak rationality, tyranny, static negation, and isolated selfhood). The fallen world moves through the cycles of its history, successively approaching and falling away from redemption, until, by the agency of redeemer ( who is equated with the human imagination and most potently operative in the prophetic poet), it will culminate in an apocalypse
[3]. When young Blake arrives the first time to the town of Machine, he is still in the Beullah, he can't figure out that his wishes for getting a job will turn to ashes the moment he walks into Dickenson's office, he's just as a Lamb
[4]. As he faces with assaults of the supposed modern world he has made his destination to, he walks into the realm of Generation, he suffers the contraries of this world; the roses made out of paper, the stinking drunk men…but at the end he enters the Eden, he passes through the sea, and the waves make his way toward the sea, its raining… now he's completely off the Urlo, the base and inhumane life men had chosen once entering America.
There's one more thing about his time of departure. When the boat is pushed into the water by Nobody, Cole Wilson shoots him, Nobody shoots him back, and both fall into the ground, Blake tries to shout but as Nobody had told him: " the world no longer concerns him"… Urlo is no territory for the man entering the Eden. And
men are no longer reunited on the face of the world, least they'd be dead men.
[1] Honarvar, H. & Sokhanvar, J., The Norton Anthology of English Litreture, Vahid Publication, pp.492-496: 1382
[2] . Ibid. p.496
[3] Ibid. p.495
[4] . lamb is one of W. Blake's famous poetries appearing in his " songs of innocence"